出生年份: 1971~年
擅 长: 其它
毕业院校: 其它学校
创作年代 | 2013年作 | 尺寸 | 90*60cm |
---|---|---|---|
材质 | 中日合资天雅公司天然矿石矿物色及专用胶水,中国产钛白粉,银箔,铜箔,中国产明胶,日本麻纸。 Special mucilage and natural mineral pigment from TianYa of China and Japan company,Japanese paper, silver and copper leaf , titanium oxide from China. |
装裱 | |
题材 | 所属系列 | 意象作品系列 | |
作品描述 | 这件作品是2013年4月完成的。基本上我的画面已经不再采用“正确的”空间,平面和空间进深的转换已经形成我的趣味所在。写实元素以及平面和立体几何的组合是我爱用的创作手法,我觉得平面和写实的视觉效果相互切换就像是一个“好玩的游戏”。即使是写实的素材,我也不希望是“合理地”安排他们。就像这件作品,地球之上飘浮着另一个地球,这并不真实同时还夸张了距离感。夸张、错位、相悖的元素能使我获得更宽阔的表达。作品意图表达人的内在个体意识与现实时空的相对性,我试图对“宏大”,“渺小”“短暂”,“永恒”等命题提出疑问。 This work was completed in April 2013. I am most interested in the exchange of plane shape and space depth, so that I have abandoned “correct” space mainly. Those combination of realistic elements, plane and stereo geometry,are becoming my favorite creation method. I found that the plane and realist visual effects’ shifting each other is forming a “funny game”. Although I was conducting a realistic painting, I would not settle anything in a conventional manner. As in this work, there is one earth floating above the other earth, which is not reality. At the same time, the distance has been exaggerated. Those exaggerated, mismatched and conflicted elements make me acquire a broader expression. This work is meant to express the relativity about human between an intrinsic individual mentality and real space-time. I try to raise a question on the assigned topic on “hugeness” and “littleness”, “transient” and “eternity”. |
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